"But there are obviously challenges around free speech, censorship, human rights and security," said Nandy.
Regarding ongoing debates over controversial museum acquisitions, Nandy stated that institutions should engage directly with these topics. "I think they relish it.
Art has always been a way of challenging the status quo," she said.
She noted that creative works serve to reexamine historical narratives and future directions.
"It’s always been a way of helping us to rethink our past and reinterpret the future," said Nandy.
While specific loan decisions rest with individual institutions, Nandy affirmed that the government can facilitate open dialogue. "To reach out with the hand of friendship," she said.
This diplomatic approach applies to various contested artifacts currently held within cultural collections, "whether it’s the Elgin marbles or Benin bronzes or any of the more controversial acquisitions," said Nandy.
During the final photo session, an unidentified attendee made a joke about touching the fragile embroidery. "Put your hands on it," said an unknown visitor.
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A quiet response from another attendee closed the gathering as conservators monitored the artifact. "Quelle horreur," said an unknown visitor.
