They're really, really good scripts and they just threw me into what is going on in Jill's life right now."
She added, "But I was running lines all weekend, and then that first week, I was working at Days on Tuesday and Wednesday, and then I worked at Y&R on Thursday and Friday."
The transition brought back distinct personal and professional memories for the actress, who met her husband in the studio's makeup room during her original 1980s run.
The production crew prepared a personalized dressing room placard to mark the occasion.
"It was like a trip back in time," shared Koslow. "Just turning in the gate, I was flooded with memories.
It was emotional for sure."
She noted that the makeup room was exactly the same as in the '80s.
"That's where I met Nicky [Schillace, makeup artist], my husband, so it was really like going home."
The existing cast offered significant assistance to ease Koslow into the heavy workload.
She noted that a built-in narrative connection with former co-star Billy Flynn provided an immediate comfort level.
"The entire cast and crew are so gracious, and everyone's so supportive," praised Koslow.
"I think everyone knew it was a big thing to do, to have to step in there and honor Jess and her performance."
The actress found that portraying the complex parent-child dynamic with Jason Thompson required precise adjustment. She relied on guidance from executive leadership to anchor her performance.
"The only problem I did have is I kept calling Cane 'Billy,' but of course, Jason's Billy," mused Koslow.
"Jill and Billy have a very complex relationship. I got some great notes from the executive producer."
The assignment concluded as a meaningful milestone for the daytime veteran, representing a complete return to her original professional roots.
Koslow expressed deep gratitude for the sudden opportunity.
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"When Josh first asked me, I told him, 'This would be so amazing because for me, it would be totally full-circle,'" recalled Koslow.
